Wex Photographic

Fictional urban landscapes: An afternoon with Lori Nix and Kathleen GerberFictional urban landscapes: An afternoon with Lori Nix and Kathleen Gerber

Seminars

Fictional urban landscapes: An afternoon with Lori Nix and Kathleen Gerber

  • Days: 1

Fictional urban landscapes: An afternoon with Lori Nix and Kathleen Gerber

Thursday 5th March, 2:00pm - 4:00pm

£7

Join us to welcome Lori Nix and Kathleen Gerber in Wex Photo Video, London. Flying all the way from New York, Nix and Gerber will be talk about how they have been making art collaboratively for over nineteen years. With studios in both Brooklyn and Cincinnati, they construct meticulously detailed model environments and photograph the results. For the last decade they have found inspiration in their urban surroundings, imagining a future mysteriously devoid of mankind.

Sharing their appreciation for great architecture, they will discuss the process behind the images and talk about the gear used to produce these delicate and dystopian environments. Having exhibited work in over 80 exhibitions across the globe, Kathleen and Lori will be available to answer the burning questions you have on how they have achieved their success.

Lori says:

For the last eight years my photographs have highlighted a fictional urban landscape ‘after’. An aquarium after a flood, a church after a fire, a beauty parlour after…who knows what. Mankind is gone and what remains are vacant fragments of buildings, a few slowly being reclaimed by nature. These photos began their lives as complex dioramas sculpted out of foam board, paint, plaster and wood. Built in great detail from scratch, the dioramas reflect their previous inhabitants’ daily lives.

As an artist, I have always taken inspiration from my surroundings. I grew up in the 1970’s in rural western Kansas. Every season brought with it a new disaster or weather phenomenon. As a child I personally experienced tornados, floods, blizzards and drought. I was never scared or upset by them because I had my parents to worry about the implications. Rather, these events brought excitement to a life that by most people’s standards was quite dull. I also grew up on steady diet of 1970’s television and cinema. Saturday night meant the Carroll Burnett Show, popcorn and a can of coke. My small Kansas town of Norton, population 3500, had a single movie house that ran Disney features on Saturday afternoon, and in the evenings it showed the genre that was popular at the time, dystopian cinema. It was in this small movie house reeking of popcorn and sticky floors that I was mesmerized by movies such as Planet of the Apes, Towering Inferno, Earthquake, and Airport‘76. As a six year old viewing these kinds of movies, I believe it had a profound effect on the art I create today. My work to date can be described as disaster mixed with subtle humour.’

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